Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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COSSA, Francesco del
St Vincent Ferrer (Griffoni Polyptych) dfg

ID: 06178

COSSA, Francesco del St Vincent Ferrer (Griffoni Polyptych) dfg
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COSSA, Francesco del St Vincent Ferrer (Griffoni Polyptych) dfg


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COSSA, Francesco del

Italian Early Renaissance Painter, ca.1435-1477 Italian painter. Together with Cosimo Tura and Ercole de' Roberti, Cossa was one of the most important painters working in Ferrara and Bologna in the second half of the 15th century. With them he shared an expressive use of line and solidity of form, but he also had a gift for decorative and anecdotal scenes, most evident in the frescoes in the Palazzo Schifanoia, Ferrara.   Related Paintings of COSSA, Francesco del :. | Madonna with the Child and Saints dfg | St Peter and St John the Baptist, details (Griffoni Polyptych) sdf | Saint Florian (detail) dfg | St Lucy (Griffoni Polyptych) dfg | St Florian (Griffoni Polyptych) dsf |
Related Artists:
Cazin Jean-Charles
French landscapes painter and ceramist , 1841-Le Lavandou 1901 Painter and ceramicist. His earliest paintings reveal close affinities with the realist tradition, while his later compositions (mostly landscapes of northern France) demonstrate an awareness of Impressionism and a commitment to recording the changing effects of light and atmosphere. He was sent to England for health reasons but by 1862 or 1863 was living in Paris and active in avant-garde artistic circles.
John mulcaster carrick
fl.1854-1880
Ludolf de Jongh
1616-1679 Dutch Ludolf de Jongh Galleries Dutch painter. He was one of the most versatile Dutch painters of the 17th century, producing portraits, genre paintings of both domestic scenes and soldier life, landscapes with hunting scenes and a few historical subjects. According to Houbraken, he studied with Cornelis Saftleven in Rotterdam, Anthonie Palamedesz. in Delft, and Jan van Bijlert in Utrecht. In 1635 he went to France, where he stayed for seven years. His earliest known paintings are portraits and genre subjects that date from after his return to Rotterdam in about 1642 and strongly reflect the style of Palamedesz.'s work. The genre subjects and numerous hunting scenes (e.g. Riders before an Inn; Geneva, Mus. A. & Hist.) painted shortly before the 1650s show the influence of van Bijlert and other Utrecht painters, especially Jacob Duck and Dirck Stoop.






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